Psychedelic art
Posted on 23:25, under 1960s counterculture, art, drugs, hallucinations, kaleidoscope, LSD, mescaline, psilocybin. Humphrey Osmond, Psychedelic
Posted on 23:25, under 1960s counterculture, art, drugs, hallucinations, kaleidoscope, LSD, mescaline, psilocybin. Humphrey Osmond, Psychedelic
Posted on 22:53, under Alice's Adventures In Wonderland, beatles, drugs, gt. Pepper, john lennon, Julian Lennon, Lewis Carroll, LSD, Lucy In The Sky With Diamonds, Surrealism, Through The Looking Glass
For similar reasons, John was attracted to The Goon Show, the British radio comedy programme featuring Spike Milligan, Harry Secombe and Peter Sellers which was broadcast by the BBC between June 1952 and January 1960. The Goon Show scripts, principally written by Milligan, lampooned establishment figures, attacked post-war stuffiness and popularized a surreal form of humor. The celebrated Beatle 'wackiness' owed a lot to the Goons, as did John's poetry and writing. He told Spike Milligan that 'Lucy In The Sky With Diamonds' and several other songs had been partly inspired by his love of Goon Show dialogue. "We used to talk about 'plasticine ties' in The Goon Show and this crept up in Lucy as 'plasticine porters with looking glass ties'," says Milligan who, as a friend of George Martin, sat in on some of the Sgt. Peppers sessions. "I knew Lennon quite well," he said. "He used to talk a lot about comedy. He was a Goon Show freak. It all stopped when he married Yoko Ono. Everything stopped. He never asked for me again." Posted on 22:38, under Allen Klein, emi, Eric Clapton, Here comes the sun, John and Yoko, John Eastman, ringo starr
Posted on 22:22, under 1964, A Hard Day's Night, beatlemania, beatles, george harrison, john lennon, paul mccartney, ringo starr
The Beatles--the world's most famous rock and roll band--travel from their home town of Liverpool to London to perform in a television broadcast. Along the way they must rescue Paul's unconventional grandfather from various misadventures and drummer Ringo goes missing just before the crucial concert. Posted on 22:04, under Angela Mounsey, Dana Fuchs, Evan Rachel Wood, Jim Sturgess, Joe Anderson, Lisa Hogg, Martin Luther, Robert Clohessy, Spencer Liff, T.V. Carpio
Posted on 21:16, under beatlefest, emi, Hayman's green, pete best, the David Letterman show
Posted on 17:57, under '60, beatlemania, beatles, day by day, george harrison, i wanna hold your hand, john lennon, paul mccartney, ringo starr

Posted on 17:33, under A Hard Day's Night, Anthology 1, Anthology 2, Anthology 3, beatles, george harrison, john lennon, let it be, Live At The BBC, paul mccartney, Please Please Me, ringo starr, With the Beatles

|
Posted on 04:47, under '50, '60, 1969, george harrison, hey jude, john lennon, let it be, paul mccartney, penny lane, ringo starr
Richard Starkey, MBE (born July 7, 1940) is best known by his stage name, Ringo Starr, as the drummer for The Beatles from August 16th 1962 (when he replaced Pete Best) until their breakup in 1970. Ringo is known for his reliable, steady drumming and innovative fills. His easygoing personality made him an easy fit with the other Beatles.Posted on 04:41, under '50, '60, 1969, beatles, george harrison, hey jude, john lennon, let it be, paul mccartney, penny lane, ringo starr
As lead guitarist for the Beatles, George Harrison provided the band with a lyrical style of playing in which every note mattered. Harrison was one of millions of young Britons inspired to take up the guitar by British skiffle king Lonnie Donegan's recording of "Rock Island Line." But he had more dedication than most, and with the encouragement of a slightly older school friend — Paul McCartney — he advanced quickly in his technique and command of the instrument. Harrison developed his style and technique slowly and painstakingly over the several years, learning everything he could from the records of Carl Perkins, Duane Eddy, Chet Atkins, Buddy Holly, and Eddie Cochran. By age 15, he was allowed to sit in with the Quarry Men, the Liverpool group founded by John Lennon, of which McCartney was a member; by 16 he was a full-fledged member of the group.
In 1987, Harrison made a return to the top of the charts with his album Cloud Nine, which featured his most inspired work in years, most notably a cover of an old Rudy Clark gospel number called "Got My Mind Set on You," which reached number one on the charts. In 1988, Harrison, Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison formed the Traveling Wilburys, who have since released two very successful albums. Posted on 04:03, under '50, '60, 1969, beatles, george harrison, hey jude, john lennon, let it be, paul mccartney, penny lane, ringo starr
(born June 18, 1942, Liverpool, Eng.) British vocalist, songwriter, composer, bass player, poet, and painter whose work with the Beatles in the 1960s helped lift popular music from its origins in the entertainment business and transform it into a creative, highly commercial art form. He is also one of the most popular solo performers of all time in terms of both sales of his recordings and attendance at his concerts.
On July 6, 1957, he met John Lennon at Woolton Village Fete and joined his skiffle group, the Quarrymen, which, after several name changes, became the Beatles. When Lennon's mother was killed by a speeding police car in 1958, McCartney, with his own mother's death still fresh in his memory, was able to empathize with the distraught 17-year-old, creating a bond that became the basis of their close friendship. McCartney and Lennon quickly established themselves as songwriters for the group, and, by the time the Beatles signed with EMI-Parlophone in 1962, they were writing most of their own material. By their third album the group stopped recording covers. Lennon and McCartney's songwriting partnership was very important to them, both financially and creatively; even in 1969, when they were estranged over business matters and supposedly not on speaking terms, Lennon brought McCartney his song “The Ballad of John and Yoko” and they worked together on the “middle eight” (the stand-alone section that often comes midway in a song). Their music transcended personal differences.Posted on 03:52, under '50, '60, 1969, beatles, george harrison, hey jude, john lennon, let it be, paul mccartney, penny lane, ringo starr
"If John Lennon had only been one of the four members of the Beatles, his artistic immortality would already have been assured. The so-called "smart Beatle," he brought a penetrating intelligence and a stinging wit both to the band's music and its self-presentation. But in such songs as "Strawberry Fields Forever," "Norwegian Wood (This Bird Has Flown)," "Rain" and "In My Life," he also marshaled gorgeous melodies to evoke a sophisticated, dreamlike world-weariness well beyond his years. Such work suggested not merely a profound musical and literary sensibility - a genius, in short -- but a vision of life that was simultaneously reflective, utopian and poignantly realistic.
Such imagery, coupled with the tragedy of his murder in 1980, has often led to Lennon's being sentimentalized as a gentle prince of peace gazing off into the distance at an Eden only he could see. In fact, he was a far more complex and difficult person, which, in part, accounts for the world's endless fascination with him. Plastic Ono Band (1970), the first solo album he made after leaving the Beatles, alternates songs that are so emotionally raw that to this day they are difficult to listen to with songs of extraordinary beauty and simplicity. Gripped by his immersion in primal-scream therapy, which encouraged its practitioners to re-experience their most profound psychic injuries, Lennon sought in such songs as "Mother" and "God" to confront and strip away the traumas that had afflicted his life since childhood.
Lennon's political struggles unfortunately found their match in his personal life. He and Ono split up in the fall of 1973, shortly before the release of his album, Mind Games. He moved to Los Angeles and later described the eighteen months he spent separated from Ono as his "lost weekend," a period of wild indulgence and artistic drift. Like Mind Games, the albums he made during this period, Walls and Bridges (1974) and Rock N Roll (1975), are the expressions of a major artist seeking, with mixed results, to recover his voice. None of them lack charm, and their high points include the lovely title track of Mind Games; Walls and Bridges' "Whatever Gets You Through the Night," a rollicking duet with Elton John that gave Lennon his first number-one single as a solo artist; and the sweet nostalgia of Rock N Roll, a covers album that was Lennon's tribute to the musical pioneers of his youth. But none of those albums rank among his greatest work.
Lennon's death broke hearts around the world. In the U.S., it recalled nothing so much as the assassination of John Kennedy in 1963, an event for which, ironically, the arrival of the Beatles a few months later had provided a welcome tonic. In the twenty-five years since, Lennon's influence and symbolic importance have only grown. His music, of course, will live forever. But he has survived primarily as a restless voice of change and independent thought. He is an enemy of the status quo, a bundle of contradictions who insisted on a world in which all the various elements of his personality could find free, untrammeled expression. Innumerable times since his death Lennon has been sorely missed. And just as many times and more he has been present - evoked by all of us who find ourselves and each other in the music he made and the vision that he articulated and tried to make real."
For similar reasons, John was attracted to The Goon Show, the British radio comedy programme featuring Spike Milligan, Harry Secombe and Peter Sellers which was broadcast by the BBC between June 1952 and January 1960. The Goon Show scripts, principally written by Milligan, lampooned establishment figures, attacked post-war stuffiness and popularized a surreal form of humor. The celebrated Beatle 'wackiness' owed a lot to the Goons, as did John's poetry and writing. He told Spike Milligan that 'Lucy In The Sky With Diamonds' and several other songs had been partly inspired by his love of Goon Show dialogue. "We used to talk about 'plasticine ties' in The Goon Show and this crept up in Lucy as 'plasticine porters with looking glass ties'," says Milligan who, as a friend of George Martin, sat in on some of the Sgt. Peppers sessions. "I knew Lennon quite well," he said. "He used to talk a lot about comedy. He was a Goon Show freak. It all stopped when he married Yoko Ono. Everything stopped. He never asked for me again."
The Beatles--the world's most famous rock and roll band--travel from their home town of Liverpool to London to perform in a television broadcast. Along the way they must rescue Paul's unconventional grandfather from various misadventures and drummer Ringo goes missing just before the crucial concert. 

|
Richard Starkey, MBE (born July 7, 1940) is best known by his stage name, Ringo Starr, as the drummer for The Beatles from August 16th 1962 (when he replaced Pete Best) until their breakup in 1970. Ringo is known for his reliable, steady drumming and innovative fills. His easygoing personality made him an easy fit with the other Beatles.As lead guitarist for the Beatles, George Harrison provided the band with a lyrical style of playing in which every note mattered. Harrison was one of millions of young Britons inspired to take up the guitar by British skiffle king Lonnie Donegan's recording of "Rock Island Line." But he had more dedication than most, and with the encouragement of a slightly older school friend — Paul McCartney — he advanced quickly in his technique and command of the instrument. Harrison developed his style and technique slowly and painstakingly over the several years, learning everything he could from the records of Carl Perkins, Duane Eddy, Chet Atkins, Buddy Holly, and Eddie Cochran. By age 15, he was allowed to sit in with the Quarry Men, the Liverpool group founded by John Lennon, of which McCartney was a member; by 16 he was a full-fledged member of the group.
In 1987, Harrison made a return to the top of the charts with his album Cloud Nine, which featured his most inspired work in years, most notably a cover of an old Rudy Clark gospel number called "Got My Mind Set on You," which reached number one on the charts. In 1988, Harrison, Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison formed the Traveling Wilburys, who have since released two very successful albums.
(born June 18, 1942, Liverpool, Eng.) British vocalist, songwriter, composer, bass player, poet, and painter whose work with the Beatles in the 1960s helped lift popular music from its origins in the entertainment business and transform it into a creative, highly commercial art form. He is also one of the most popular solo performers of all time in terms of both sales of his recordings and attendance at his concerts.
On July 6, 1957, he met John Lennon at Woolton Village Fete and joined his skiffle group, the Quarrymen, which, after several name changes, became the Beatles. When Lennon's mother was killed by a speeding police car in 1958, McCartney, with his own mother's death still fresh in his memory, was able to empathize with the distraught 17-year-old, creating a bond that became the basis of their close friendship. McCartney and Lennon quickly established themselves as songwriters for the group, and, by the time the Beatles signed with EMI-Parlophone in 1962, they were writing most of their own material. By their third album the group stopped recording covers. Lennon and McCartney's songwriting partnership was very important to them, both financially and creatively; even in 1969, when they were estranged over business matters and supposedly not on speaking terms, Lennon brought McCartney his song “The Ballad of John and Yoko” and they worked together on the “middle eight” (the stand-alone section that often comes midway in a song). Their music transcended personal differences.
"If John Lennon had only been one of the four members of the Beatles, his artistic immortality would already have been assured. The so-called "smart Beatle," he brought a penetrating intelligence and a stinging wit both to the band's music and its self-presentation. But in such songs as "Strawberry Fields Forever," "Norwegian Wood (This Bird Has Flown)," "Rain" and "In My Life," he also marshaled gorgeous melodies to evoke a sophisticated, dreamlike world-weariness well beyond his years. Such work suggested not merely a profound musical and literary sensibility - a genius, in short -- but a vision of life that was simultaneously reflective, utopian and poignantly realistic.
Such imagery, coupled with the tragedy of his murder in 1980, has often led to Lennon's being sentimentalized as a gentle prince of peace gazing off into the distance at an Eden only he could see. In fact, he was a far more complex and difficult person, which, in part, accounts for the world's endless fascination with him. Plastic Ono Band (1970), the first solo album he made after leaving the Beatles, alternates songs that are so emotionally raw that to this day they are difficult to listen to with songs of extraordinary beauty and simplicity. Gripped by his immersion in primal-scream therapy, which encouraged its practitioners to re-experience their most profound psychic injuries, Lennon sought in such songs as "Mother" and "God" to confront and strip away the traumas that had afflicted his life since childhood.
Lennon's political struggles unfortunately found their match in his personal life. He and Ono split up in the fall of 1973, shortly before the release of his album, Mind Games. He moved to Los Angeles and later described the eighteen months he spent separated from Ono as his "lost weekend," a period of wild indulgence and artistic drift. Like Mind Games, the albums he made during this period, Walls and Bridges (1974) and Rock N Roll (1975), are the expressions of a major artist seeking, with mixed results, to recover his voice. None of them lack charm, and their high points include the lovely title track of Mind Games; Walls and Bridges' "Whatever Gets You Through the Night," a rollicking duet with Elton John that gave Lennon his first number-one single as a solo artist; and the sweet nostalgia of Rock N Roll, a covers album that was Lennon's tribute to the musical pioneers of his youth. But none of those albums rank among his greatest work.
Lennon's death broke hearts around the world. In the U.S., it recalled nothing so much as the assassination of John Kennedy in 1963, an event for which, ironically, the arrival of the Beatles a few months later had provided a welcome tonic. In the twenty-five years since, Lennon's influence and symbolic importance have only grown. His music, of course, will live forever. But he has survived primarily as a restless voice of change and independent thought. He is an enemy of the status quo, a bundle of contradictions who insisted on a world in which all the various elements of his personality could find free, untrammeled expression. Innumerable times since his death Lennon has been sorely missed. And just as many times and more he has been present - evoked by all of us who find ourselves and each other in the music he made and the vision that he articulated and tried to make real."
For similar reasons, John was attracted to The Goon Show, the British radio comedy programme featuring Spike Milligan, Harry Secombe and Peter Sellers which was broadcast by the BBC between June 1952 and January 1960. The Goon Show scripts, principally written by Milligan, lampooned establishment figures, attacked post-war stuffiness and popularized a surreal form of humor. The celebrated Beatle 'wackiness' owed a lot to the Goons, as did John's poetry and writing. He told Spike Milligan that 'Lucy In The Sky With Diamonds' and several other songs had been partly inspired by his love of Goon Show dialogue. "We used to talk about 'plasticine ties' in The Goon Show and this crept up in Lucy as 'plasticine porters with looking glass ties'," says Milligan who, as a friend of George Martin, sat in on some of the Sgt. Peppers sessions. "I knew Lennon quite well," he said. "He used to talk a lot about comedy. He was a Goon Show freak. It all stopped when he married Yoko Ono. Everything stopped. He never asked for me again."
The Beatles--the world's most famous rock and roll band--travel from their home town of Liverpool to London to perform in a television broadcast. Along the way they must rescue Paul's unconventional grandfather from various misadventures and drummer Ringo goes missing just before the crucial concert. 

|
Richard Starkey, MBE (born July 7, 1940) is best known by his stage name, Ringo Starr, as the drummer for The Beatles from August 16th 1962 (when he replaced Pete Best) until their breakup in 1970. Ringo is known for his reliable, steady drumming and innovative fills. His easygoing personality made him an easy fit with the other Beatles.As lead guitarist for the Beatles, George Harrison provided the band with a lyrical style of playing in which every note mattered. Harrison was one of millions of young Britons inspired to take up the guitar by British skiffle king Lonnie Donegan's recording of "Rock Island Line." But he had more dedication than most, and with the encouragement of a slightly older school friend — Paul McCartney — he advanced quickly in his technique and command of the instrument. Harrison developed his style and technique slowly and painstakingly over the several years, learning everything he could from the records of Carl Perkins, Duane Eddy, Chet Atkins, Buddy Holly, and Eddie Cochran. By age 15, he was allowed to sit in with the Quarry Men, the Liverpool group founded by John Lennon, of which McCartney was a member; by 16 he was a full-fledged member of the group.
In 1987, Harrison made a return to the top of the charts with his album Cloud Nine, which featured his most inspired work in years, most notably a cover of an old Rudy Clark gospel number called "Got My Mind Set on You," which reached number one on the charts. In 1988, Harrison, Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison formed the Traveling Wilburys, who have since released two very successful albums.
(born June 18, 1942, Liverpool, Eng.) British vocalist, songwriter, composer, bass player, poet, and painter whose work with the Beatles in the 1960s helped lift popular music from its origins in the entertainment business and transform it into a creative, highly commercial art form. He is also one of the most popular solo performers of all time in terms of both sales of his recordings and attendance at his concerts.
On July 6, 1957, he met John Lennon at Woolton Village Fete and joined his skiffle group, the Quarrymen, which, after several name changes, became the Beatles. When Lennon's mother was killed by a speeding police car in 1958, McCartney, with his own mother's death still fresh in his memory, was able to empathize with the distraught 17-year-old, creating a bond that became the basis of their close friendship. McCartney and Lennon quickly established themselves as songwriters for the group, and, by the time the Beatles signed with EMI-Parlophone in 1962, they were writing most of their own material. By their third album the group stopped recording covers. Lennon and McCartney's songwriting partnership was very important to them, both financially and creatively; even in 1969, when they were estranged over business matters and supposedly not on speaking terms, Lennon brought McCartney his song “The Ballad of John and Yoko” and they worked together on the “middle eight” (the stand-alone section that often comes midway in a song). Their music transcended personal differences.
"If John Lennon had only been one of the four members of the Beatles, his artistic immortality would already have been assured. The so-called "smart Beatle," he brought a penetrating intelligence and a stinging wit both to the band's music and its self-presentation. But in such songs as "Strawberry Fields Forever," "Norwegian Wood (This Bird Has Flown)," "Rain" and "In My Life," he also marshaled gorgeous melodies to evoke a sophisticated, dreamlike world-weariness well beyond his years. Such work suggested not merely a profound musical and literary sensibility - a genius, in short -- but a vision of life that was simultaneously reflective, utopian and poignantly realistic.
Such imagery, coupled with the tragedy of his murder in 1980, has often led to Lennon's being sentimentalized as a gentle prince of peace gazing off into the distance at an Eden only he could see. In fact, he was a far more complex and difficult person, which, in part, accounts for the world's endless fascination with him. Plastic Ono Band (1970), the first solo album he made after leaving the Beatles, alternates songs that are so emotionally raw that to this day they are difficult to listen to with songs of extraordinary beauty and simplicity. Gripped by his immersion in primal-scream therapy, which encouraged its practitioners to re-experience their most profound psychic injuries, Lennon sought in such songs as "Mother" and "God" to confront and strip away the traumas that had afflicted his life since childhood.
Lennon's political struggles unfortunately found their match in his personal life. He and Ono split up in the fall of 1973, shortly before the release of his album, Mind Games. He moved to Los Angeles and later described the eighteen months he spent separated from Ono as his "lost weekend," a period of wild indulgence and artistic drift. Like Mind Games, the albums he made during this period, Walls and Bridges (1974) and Rock N Roll (1975), are the expressions of a major artist seeking, with mixed results, to recover his voice. None of them lack charm, and their high points include the lovely title track of Mind Games; Walls and Bridges' "Whatever Gets You Through the Night," a rollicking duet with Elton John that gave Lennon his first number-one single as a solo artist; and the sweet nostalgia of Rock N Roll, a covers album that was Lennon's tribute to the musical pioneers of his youth. But none of those albums rank among his greatest work.
Lennon's death broke hearts around the world. In the U.S., it recalled nothing so much as the assassination of John Kennedy in 1963, an event for which, ironically, the arrival of the Beatles a few months later had provided a welcome tonic. In the twenty-five years since, Lennon's influence and symbolic importance have only grown. His music, of course, will live forever. But he has survived primarily as a restless voice of change and independent thought. He is an enemy of the status quo, a bundle of contradictions who insisted on a world in which all the various elements of his personality could find free, untrammeled expression. Innumerable times since his death Lennon has been sorely missed. And just as many times and more he has been present - evoked by all of us who find ourselves and each other in the music he made and the vision that he articulated and tried to make real."


Create a playlist at MixPod.com
Copyright © 2008 :: Beatlemania!
Converted by Randomness! Distributed by Deluxe Templates